with a comic look
in the matter of borders
Facta Non Verba uploaded May 2010,
The house on the border by Slavomir Mrozek.
The show was given in frames
of the 2nd freedom festival of theatrical expression
and was a result of the work
of the theatrical workshop coordinated by the group
that year.
Photos
Video
Text
Factors
The deeply political is also human. And the deeply individual diffuses into the whole. It is absorbed by the world and absorbs it.
This filter is the Window of everyone in the world.
You can keep it closed for years .... but ..... the world
will come to you. He will look
the piece he is missing.
Your piece.
Scattered thoughts on the show: _cc781905-5cde-3194-bb3b-136bad5cf58_ 136bad5cf58d_ _cc781905-5cde-3194 -bb3b-136bad5cf58d_
Antoine Vitez wrote in a letter to Loula Anagnostaki shortly before May 1968 and on the occasion of this particular single act that "she saw behind her black glasses the calamity, the terror.
How did he understand everything? "And indeed Anagnostaki wrote the last part of her trilogy in 1965. Just two years before the dictatorship of the colonels. And today, in the year 2012, the differences are indistinguishable and thoroughly camouflaged.
The junta is not wearing a military cap but a technocratic mask. Every epitome of bourgeois democracy has vanished. The "pin" and the Kotzamanids of the 60's have been replaced by the paramilitary dogs of the Golden Dawn who unleash pogroms in the name of their rotten blood and the superiority of the shit they have for their brain, while the trash fascists are their bosses, members and those of a government that has not received any popular order, throw garbage day and night through the Mass Media, according to the saying of their Nazi mentor that the more times a big lie is told, the more credible it becomes.
Anagnostaki saw the terror and the calamity. We see apathy, debauchery and ignorance. We chose this particular one-act play because it resists all of this. It is absolutely relevant today that history repeats itself as a farce and reminds us once again that in the end no one is going to escape from a system that gives birth to and reproduces premature death. Authority. And how much more today that she has started to show off her blue and white costume.
These two children want to grow up, but at the same time they are afraid
to do so, suffice to daydream and declare to each other
their fascinating stories, what they want.
But they do not feel ready to make them a reality. They do not communicate to the extent that one would expect them to
two brothers living in the same area.
Their actions and their desires are watered down
from guilt and insecurity.
It is this closed, lonely world very clearly life and deeds
of the modern caged man,
who suffocates.
of
Σ λάβομιρ Μ ροζεκ
the house above _ _ _
at the borders _
of
Σ λάβομιρ Μ ροζεκ
the house above _ _ _
at the borders _
of
Σ λάβομιρ Μ ροζεκ
the house above _ _ _
at the borders _
Contributors:
Distribution:
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Direction-video: Elena Stamatopoulou
Kinesiology: Nancy Stamatopoulou
Lighting: Giannis Stagos
Drums: Jorge Kakutopoulos
