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the parade _

of Loula Anagnostaki

January 2012

Facta Non Verba uploaded the Parade of Loula Anagnostaki in January and February 2012 .

Due to the large participation of the public, an extension was given and some more performances were played with a change in distribution.

It was replayed at the 4th Liberal Festival of Theatrical Expression in June of the same year.



 from the show

of Loula Anagnostaki

the Parade

Photos: FnV Archive


of Loula Anagnostaki

the Parade

Video of the show:  The video recording is from the performances of the extension, on 4/3/2011.


  Scattered thoughts on the show:   _cc781905-5cde-3194-bb3b-136bad5cf58_ 136bad5cf58d_          _cc781905-5cde-3194 -bb3b-136bad5cf58d_   


Antoine Vitez wrote in a letter to Loula Anagnostaki shortly before May 68 and on the occasion of this particular one-act

how "she saw behind her black glasses the calamity, the terror.

How he had understood everything. "And indeed Anagnostaki wrote

the last part of her trilogy in 1965. Just two years before the dictatorship of the colonels. And today, in the year 2012,

the differences are indistinguishable and thoroughly camouflaged.

The junta is not wearing a military cap but a technocratic mask. Every epitome of bourgeois democracy has vanished. The "pin"

and the Kotzamanides of the 60s have been replaced

from the parastatal dogs of the Golden Dawn who unleash pogroms in the name of their rotten blood and the superiority of the shit they have for their brains, while at the same time their trash fascist bosses, members of a government that did not take any popular orders, shoot all day long. overnight rubbish through the Mass Dementia According to the saying of their Nazi mentor that the more times a big lie is told, the more credible it becomes.

Anagnostaki saw the terror and the calamity. We see apathy, debauchery and ignorance. We chose this particular one-act play because it resists all of this. It is absolutely relevant today that history repeats itself as a hoax and reminds us once again that in the end no one is

to escape from a system that gives birth to and reproduces premature death. Authority. And how much more today that she has started to show off her blue and white costume.



The deeply political is also human. And the deeply individual diffuses into the whole. It is absorbed by the world and absorbs it.

This filter is the Window of everyone in the world.

You can keep it closed for years .... but ..... the world

will come to you. He will look

the piece he is missing.

Your piece.

These two children want to grow up, but at the same time they are afraid

to do so, suffice to daydream and declare to each other

their fascinating stories, what they want.

But they do not feel ready to make them a reality. They do not communicate to the extent that one would expect them to

two brothers living in the same area.

Their actions and their desires are watered down

from guilt and insecurity.

It is this closed, lonely world very clearly life and deeds

of the modern caged man,

who suffocates.

of Loula Anagnostaki

the Parade


of Loula Anagnostaki

the Parade



Life: Lena Daga

Mars: Panagiotis Sideridis - 

         Έλενα Σταματοπούλου (διπλή διανομή)


Direction-video: Elena Stamatopoulou

Kinesiology: Nancy Stamatopoulou

Lighting: Giannis Stagos

Drums: Jorge Kakutopoulos

Posters on presentations

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