Miss Margarita
May 2011
of Roberto A taunte
UNDER CONSTRUCTION
Facta Non Verba uploaded in May of 2011,
the work of Roberto Ataude, Miss Margarita.
The show was given in frames
of the 3rd freedom festival of theatrical expression
and was a result of the work
of the theatrical workshop that the group coordinated that year.
Photos
Video
Text
Factors
From there, the road seems to open up.
In 1945 The Glass World ascends,
which is a great success and is followed by the project Bus of Desire . Around the beginning of the '50s
these two works are transferred to the cinema and are now known to a much wider audience. Here are many projects in which situations and characters are created
from his hectic life. Maybe writing
be for him some kind of purification
and complaint. Beyond the strong psychographic characteristics and the live characters
that he creates, is evident in his works
and a restless conscience with radical political thought but also subtle humor. In Camino Real , through the imaginary metaphorical world full of romantic idealists, an America appears
where according to him 'the spring of humanity has dried up.' To Orpheus in Hades ,
the heroine discovers that her father was killed by the Ku Klux Klan because he could not
to commit racist behavior and action.
The context in which such elaborate characters move is political.
The issue of homosexuality is also included in his works through a political perspective. Himself after
from some failed relationships with women he accepts his sexuality.
He could see the ridiculousness of human existence and perhaps from there springs his humor and his self-sarcasm -5-31
Thomas Lanier Williams, as was his real name
Tennessee Williams, was born in Columbus, Mississippi
in March 1911. He was the second child in the family.
His mother came from an aristocratic family, was beautiful, neurotic and carried a snobbery because of her background.
His father worked as a playboy in a large shoe company and so he was often away from home. Over the years it has developed
a bad relationship with alcohol and its violent outbursts became commonplace. Tom had a very special relationship
with his older sister who was a sensitive person and emotionally vulnerable to the point that he would later lose
her balance, she will be lobotomized and live the rest
of her life in institutions.
His family nurtured and inspired many of
the characters in Tennessee Williams works after
in a way that existed in his life, he also lived in his works.
He was stuck at an early age due to an illness
which paralyzed his limbs and confined him to the house
with only his sister and her governess accompanied.
His father seemed frustrated with the femininity
and the softness he saw in his sick son,
which did not go hand in hand with the tough men of the south
and their 'eloquent' fists. This made his mother turn all her attention to little Tom and boosted the child's imagination as a means of escape at first.
Growing up, he went to study journalism at a good university when he grew up. He was not satisfied and gradually left his studies and sent his poetry and short stories to various literary competitions to try
his luck and maybe get one
small income.
In general it did not go well
to follow a conventional life. In the university clubs he was a shy anti-social young man in front of a typewriter. In the army he could not cope.
His father took him to work
in the shoe factory.
O Tom, 21 years old with a blue collar and monotony from nine to five. Any snobbery
or fantasy had inherited
by his mother, he was demolished during the three or four years he worked there. In order not to feel dead, he promised himself to write something every week, spending the night with coffee, cigarettes.
and typewriter sound.
At 24 his nervous system was severely shaken and so he left work in the factory. His parents are divorcing.
His energy turns again to studies. He studies literature and theater. Takes part
in the collective writing of a work. When he went up
the work something happened inside him.
'Theater saved my life!' he says.
That's when his name changes,
perhaps because of its heavy southern accent.
a d askala for each of us
Miss
Daisy
Ρ ομπέρτο
του Α τάυντε
Miss
Daisy
Ρ ομπέρτο
του Α τάυντε
Miss
Daisy
Ρ ομπέρτο
του Α τάυντε
Miss
Daisy
Ρ ομπέρτο
του Α τάυντε
Contributors:
Direction-video: Elena Stamatopoulou
Lighting: Giannis Stagos
Distribution (in order of appearance): _ cc781905-5cde-3194-bb3b-136bad5cf58d_
Miss Margarita:
Maria Savvidou
Penny Tsikura
Eleni Goupatsa
Panagiotis Sideridis
Student: Diogenes
